Auctions: comic books

Chromium Man (1994) 1B CBCS 9.4

Paper: White

Ashcan Edition. (#38087/50000).

Label #19-2A98398-021

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Special Ashcan Edition. Limited to 50,000 copies. Individually numbered. Untitled story, script by John Riley, art by Adam Pollina; Kaanar is forced to reveal his true identity when his wife is caught and imprisoned for demonstrating and he is forced to use his powers to rescue her. 36 pgs. $2.50. Cover price $2.50.

Chromium Man (1994) 2 CBCS 9.8

Slab: Scuffing on front of case

Label #19-2A98398-022

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Chromium Man (1994) 3 CBCS 9.8

(#22248/25000).

Label #19-2A98398-025

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Chromium Man (1994) 4 CBCS 9.8

Paper: White

(#12145/27000).

Label #19-2A98398-027

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Cover pencils by Adam Pollina, inks by Bobby Rae. Bonds And Choices, script by John Riley, pencils by Adam Pollina, inks by Jason Felix; In order to save his kidnapped wife, Chromium Man is ordered to kill thousands of people for the Phylenites, but will he do it? 36 pgs. $2.50. Cover price $2.50.

Chromium Man (1994) 5 CBCS 9.8

Paper: White

(#24502/25000).

Label #19-2A98398-028

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Cover pencils by Adam Pollina, inks by Bobby Rae. Breaking Point, script by John Riley, pencils by Manuel Torrado, inks by Michael Davis and Bad Boy Studios; Chromium Man rescues his wife from the Phylenites. 36 pgs. $2.50. Cover price $2.50.

Cimmerian The Man-Eaters of Zamboula (2021 Ablaze) 1B CGC 9.8 Moritat Variant

Paper: White

Variant Cover B.

Label #3924399011

Written by Robert E. Howard & Gess. Art by Gess. Cover by Moritat. ROBERT E. HOWARD'S SAVAGE HERO CONTINUES HIS UNCENSORED ADVENTURES! Discover the true Conan, unrestrained, violent, and sexual. Read the story as he intended! The Cimmerian in the land of a thousand and one nights! A crossroads of beliefs, languages and cultures, the mythical trading city of Zamboula is also the scene of many dark legends. Upon paying the city a visit, Conan is warned of the dangers of Aram Baksh's home. It is said that most of the foreigners who stay there disappear under obscure circumstances...and it is precisely there that the Cimmerian is spending the night. But by lifting the veil on these mysterious cases of kidnappings, the Cimmerian will discover another secret, even more terrible, linked to the whole city of Zamboula... A story imbued with orientalism and macabre witchcraft, The Man-Eaters of Zamboula offers writer/artist Gess the opportunity to deliver his vision of Robert E. Howard's hero in a comic book story of exotic, erotic and dark beauty. Bonus Material: The original Robert E. Howard prose story is included! 32 pages, full color. Mature Readers Cover price $3.99.

Cinderella Love (1950) 2 CBCS 4.5

Paper: White

Label #0005262-AA-003

Painted cover by Norman Saunders. Stories and art by Reed Crandall, Ogden Whitney, and Paul Parker. Actually #2 in series, but numbered #11 on cover. Ziff-Davis published the first incarnation of this influential romance title. Square Carla hires Jeff to impersonate her made-up boyfriend for her co-workers, but she didn't expect to actually fall in love with him. Door-to-door saleswoman Anne is hired at random by handsome prince Richard to impersonate his fiancee for the benefit of his controlling family, in a story with art by Ogden Whitney. Struggling actress Elaine begins a romance with wealthy Carter, but when she thinks he's compromising her career for the sake of love, she has a tough choice to make. Plus a story by fantasy art legend Reed Crandall, and a look at the real-life Cinderella-style romance of pianist Marion Stein and the Earl of Harewood. The Pianist and the Earl; Shadow of a Dream; Make-Believe Sweetheart; Love Has Two Faces; Love's Impractical Joke; Bitter Love. 32 pages, Full Color. Cover price $0.10.

Civil War (2006 Marvel) 1F CGC 9.6 Turner Aspen Variant

Paper: White

Aspen Comics Edition.

Label #4425756022

Aspen Comics Exclusive Variant Cover by Michael Turner. Written by Mark Millar Pencils & Sketch Cover by Michael Turner THE LANDSCAPE OF THE MARVEL U IS CHANGING AND IT'S TIME TO DECIDE: WHOSE SIDE ARE YOU ON? A conflict has been brewing in the Marvel Universe for over a year, threatening to pit friend against friend, brother against brother--and all it will take is a single misstep to cost thousands their lives and ignite the fuse! As the war claims its first victims, no one is safe as teams, friendships, and families begin to fall apart. Civil War, a Marvel Comics event in seven parts, stars Spider-Man, the New Avengers, the Fantastic Four, the X-Men and the entirety of the Marvel pantheon! Civil War - the cross-over that rewrites the rules - begins here in this double-sized first issue! Mark Miller story, Michael Turner cover. Steve Mcniven & Dexter Vines art. "Death" of the New Warriors, Speedfreak, Coldheart & Cobalt Man. Cover price $2.99.

Classic Star Wars (1992) 12 CGC 9.6

Paper: White

Label #0265451012

Han's Lando-like friend, a guy named Raskar, stages an arena battle starring Chewbacca. The winner gets a special power gem. Luke and the droids crash on the ice planet Hoth. Script by Archie Goodwin, pencils by Al Williamson, Allen Nunis, and Monty Sheldon, inks by Ray Murtaugh. Cover by Bret Blevins and Matthew Hollingsworth. Cover price $2.50.

Classics Illustrated 033 Adventures of Sherlock Holmes (1947) 3 VG/FN 5.0

Sticker on first page.

Adventures of Sherlock Holmes, 3rd Printing, Line Drawing Cover. (HRN 71). Cover price $0.15.

Classics Illustrated 040 Mysteries (1947) 4 FN- 5.5

Mysteries, 4th Printing, Line Drawing Cover. (HRN 92). Edgar All Poe stories: "The Pit and the Pendulum", "The Adventure of Hans Pfall" and "The Fall of the House of Usher". Art by August M. Froelich, H.C. Kiefer & Harley M. Griffiths. Cover price $0.15.

Clay People Colossus (2022 Image) 1 CBCS 9.8

Paper: White

Label #22-0FE5D15-005

Written by Matt Hawkins. Art and Cover by Christian Dibari. A biracial boy in the Midwest uses a supernatural gift from his grandfather to push back against two older boys who are terrorizing him. In a tale inspired by the song 'Colossus' by heavy metal band THE CLAY PEOPLE, intolerance, drug addiction, poverty, and boredom collide into a perfect storm of grisly revenge! 44 pages, full color. Rated M Cover price $4.99.

Cloak and Dagger (1985 Marvel 2nd Series) 6 CBCS 9.0

Paper: White

Slab: Scuffing on back of case

Direct Edition

Label #19-279A9AA-156

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Cover pencils by Rick Leonardi, inks by Terry Austin. Festival!, script by Bill Mantlo, pencils by Rick Leonardi, inks by Terry Austin; With the help of Mayhem, Cloak and Dagger stop the family from using religious statue to smuggle heroin throughout the city. Announcement of the New Universe coming in the summer by Jim Shooter. 36 pgs. $0.75. Cover price $0.75.

Cloak and Dagger Lot of 14

Issues 1-4 of Cloak and Dagger (1983 Marvel 1st Series); and 1-10 of Cloak and Dagger (1988 Marvel 3rd Series). Most will grade in the VF to FN range.

Color Separations for Anne Rice Interview Vampire Companion #2 Front and Back Pinups

Four sheets of acetate affixed to a sheet of glossy stock at bottom. 14 1/2" x 11".

Color Separations for Beauty and the Beast #5 (1993) Front and Back Covers by Mike Deodato Jr.

Both are four sheets of acetate affixed to a sheet of heavy, glossy stock the the right side. Both measure 10 1/2" x 11 3/4"/

Color Separations for Bruce Jones' Outer Edge #1 (1993) Front and Back Covers

Four sheets of acetate affixed to a sheet of heavy stock at the top. 14" x 13".

Color Separations for Ex-Mutants #3 (1986) Cover by Ron Lim & Mike Witherbee

Four sheets of acetate affixed to a sheet of heavy, glossy stock with staples at the bottom. 13 1/4" x 10"

Color Separations for Hero Alliance Special #1 Cover (1992) by Mark Jones & Mike Okamoto

Four sheets of acetate affixed to a sheet of heavy stock at the top. 14 1/4" x 12".

Color Separations for Interview With the Vampire #1 (1991) Cover by John Bolton

Four sheets of acetate affixed to a sheet of glossy stock at the bottom. 7 1/2" x 11 1/2". NOTE: Backing sheet displays some water damage which does not affect the color separations themselves.

Color Separations for Interview With the Vampire #9 (1993) Front and Back Covers by Chris Moeller

Both are four sheets of acetate affixed to a sheet of heavy, glossy stock on the right side. Front measures 11" x 11 3/4", back measures 10 1/2" x 12".

Color Separations for Lost in Space #13 (1993) Back Cover by Michael Dutkiewicz

Four sheets of acetate affixed to a sheet of glossy, heavy stock on the right side. 10 1/2" x 11 3/4".

Color Separations for Lost in Space #14 (1993) Back Cover by Michael Dutkiewicz

Four sheets of acetate affixed to a sheet of glossy, heavy stock on the right side. 10 1/2" x 11 3/4".

Color Separations for Lost in Space #2 (1991) Complete Issue by Matt Thompson

Six groups of four sheets of acetate affixed to a sheet of glossy stock on the left side with four pages of lettered art in each group. Each measures 15 1/2" x 22 1/4". NOTE: The backing sheets all display water damage that does not affect the color separations themselves.

Color Separations for Lost in Space #4 (1992) Front & Back Covers by Mike Okamoto

Four sheets of acetate affixed to a sheet of glossy stock at the top. 14 1/2" x 12 1/4".

Color Separations for Lost in Space #8 (1992) Front & Back Covers by Mike Okamoto

Four sheets of acetate affixed to a sheet of glossy, heavy stock at the top. 14 1/4" x 11 1/2".

Color Separations for Lost in Space Annual #2 (1993) Front and Back Covers by Matt Thompson

Both are four sheets of acetate affixed to a sheet of heavy, glossy stock. Front measures 9 3/4" x 11 3/4", back measures 10 1/2" x 11 3/4". NOTE: Backing sheet for front cover displays some water damage which does not affect the color separations themselves.

Color Separations for Lost in Space Project Robinson #1 (1993) Back Cover by C. Winston Taylor

Four sheets of acetate affixed to a sheet of heavy glossy stock at the right side. 10 1/2" x 11 3/4".

Color Separations for Lost in Space Project Robinson #1 (1993) Front Cover by C. Winston Taylor

Four sheets of acetate affixed to a sheet of heavy glossy stock at the right side. 10 1/2" x 11 3/4".

Color Separations for Lost in Space Voyage to the Bottom of the Soul Promotional Art

An oversized piece of production art, likely used for a poster. Four sheets of acetate affixed to a sheet of heavy, glossy stock on the right side. 15 1/4" x 21". NOTE: The first two sheets of acetate display some residue and the first has a minor tear/slice outside of the art area.

Color Separations for Lucifer's Hammer #1 (1993) Front and Back Covers by Roger Vilela

Both are four sheets of acetate affixed to a sheet of heavy, glossy stock on the right edge. 10 1/4" x 11 1/2"

Color Separations for Mack Bolan Executioner #2 (1993) Back Cover by Hector Gomez

Four sheets of acetate affixed to a sheet of heavy glossy stock at the right side. 10 1/2" x 11 3/4"

Color Separations for Mack Bolan Executioner #2 (1993) Cover by Hector Gomez

Four sheets of acetate affixed to a sheet of heavy glossy stock at the right side. 10 1/2" x 11 3/4".

Color Separations for On A Pale Horse #3 (1991) Front and Back Covers by Mike Okamoto

Four sheets of acetate affixed to a sheet of heavy board at the top. 14" x 12".

Color Separations for Quantum Leap #10 (1993) Front and Back Covers by C. Winston Taylor

Four sheets of acetate affixed to a sheet of heavy board. 14 1/4" x 12".

Color Separations for Quantum Leap #8 (1992) Front and Back Covers by C. Winston Taylor

Four sheets of acetate affixed to a sheet of heavy board. 14 1/4" x 12".

Color Separations for Quantum Leap #9 (1992) Front and Back Covers by C. Winston Taylor

Four sheets of acetate affixed to a sheet of heavy board. 14 1/4" x 12".

Color Separations for Queen of the Damned #1 (1991) Cover by Daerick Gross

Four sheets of acetate affixed to a sheet of glossy stock at the bottom. 7 1/2" x 12". NOTE: Backing sheet displays some water damage which does not affect the color separations themselves.

Color Separations for Queen of the Damned #10 (1993) Complete Issue by OJ Cariello

Sixteen groups of four sheets of acetate affixed to a sheet of glossy, heavy stock with most of the groups being affixed to each other by a piece of tape on the reverse and folded so they are back to back. Each group measures approximately 19" x 12".

Color Separations for Queen of the Damned #11 (1993) Complete Issue by OJ Cariello

Eight groups of four sheets of acetate affixed to a sheet of heavy, glossy stock on the left side with four pages of lettered art in each group. Each measures approximately 17 1/4" x 24 3/4".

Color Separations for Queen of the Damned #12 (Unpublished) Cover by OJ Cariello

Four sheets of acetate affixed to a sheet of heavy, glossy stock at the top. 7 1/2" x 11 1/2".

Color Separations for Queen of the Damned #3 (1991) Cover by Daerick Gross

Four sheets of acetate affixed to a sheet of heavy stock at the top. 7 1/2" x 12 3/4".

Color Separations for Queen of the Damned #4 Front and Back Covers by Daerick Gross and OJ Cariello

Four sheets of acetate affixed to a sheet of heavy stock at the top and sides. 14 1/4" x 12"

Color Separations for Queen of the Damned #4 Promotional Art by OJ Cariello

Four sheets of acetate affixed to a sheet of glossy stock at the top with tape. 9" x 11 3/4".

Color Separations for Queen of the Damned #5 (1992) Front & Back Covers by Daerick Gross

Four sheets of acetate affixed to sheet of glossy stock with tape at the sides. 15 3/4" x 11 1/2". NOTE: Backing sheet displays some water damage on the reverse that does not affect the color separations themselves.

Color Separations for Queen of the Damned #6 Front and Back Covers by OJ Cariello

Four sheets of acetate affixed to a sheet of glossy stock at the bottom. 16 1/2" x 13".

Color Separations for Queen of the Damned #8 (1993) Front Cover by OJ Cariello

Four sheets of acetate affixed to a sheet of heavy glossy stock at the right side. 10 1/2" x 11 3/4".

Color Separations for Queen of the Damned #8 Front and Back Covers by OJ Cariello

Both are four sheets of acetate affixed to a sheet of heavy, glossy stock on the right edge. Both measure 10 1/2" x 11 3/4".

Color Separations for Straw Men #1 (1989) Front & Back Covers by Rob Davis & Ande Parks

Two sets of four sheets of acetate affixed to each other and a sheet of glossy stock. Backing sheet also contains printed art. 14 1/4" x 11 3/4".

Color Separations for The Light Fantastic #1 (1992) Front and Back Covers by Steven Ross

Both are four sheets of acetate affixed to a sheet of heavy, glossy stock at the left side. Both measure 10" x 11". NOTE: Both display some water damage to the backing sheet that does not affect the color separations themselves